the next song - press kit

TRI presents

FACG
In co- production with
OURVILLAGE FILMS
Produced with the support of TRIBAL RESEARCH INSTITUTE

A film by OINAM DOREN
Produced by OINAM DOREN & REWBEN MASHANGVA
Written & directed by OINAM DOREN

Duration: 50 min
Format : dvcam
Color


THE NEXT SONG

Written & directed by
OINAM DOREN

Music & vocals
KASOMWO MAHANGTHEI
REWBEN MASHANGVA

our consultant
NGACHONMI CHAMROY

Unit production manager
THOTNGAM SHIMRAH (ATHOD)

Editor
BIJU DAS
CHAOBA THIYAM

Director of photography
OINAM DOREN

Sound recordist
SUNIL LOITONGBAM

Sound design
SHANKAR SAPAM

Narraton
REWBEN MASHANGVA
ASOMWO MAHANGTHEI

Translation consultant
NGACHONMI CHAMROY
REWBEN MASHANGV

Transportation
JACOB WUNGNAOWUNG
HW KINGSWORD
AJAY SINGH
APEM LONGPINAO

Our travel agent
SHINE TRAVELS

Assistants
camera
RAWON NGAINGA
NABAM TADI
JOYCHANDRA
PRABIN

Production
JOYKUMAR KH
AYESHA LANGSTIEH

Postproduction assistant
BOYNAO
ROBI

Rajasthani folk singers
NENU RAM & GUDI

‘Our story’

Performed by
REWBEN MASHANGVA
SAMMY(DHANASHREE)
HARABA
ABOW
SHAMLEE
JOYCE
RINGO GOLMEI
L SUNIL

Stock footages

KHAMLANG VILLAGE AUTHORITY

Folk singers at Longpi village
M. NGAZEK
T.MAICHIN
S.VAREINGAM
SR. KHANGANG

Two women in Longpi village
THARMILA
HUIMILA SASA

Shot on location
IMPHAL
KOLKATTA
JODHPUR
UKHRUL
CHOITHAR VILLAGE
LONGPI VILLAGE
LUNGHAR VILLAGE
HUNPUNG VILLAGE
HUNDUNG VILLAGE

Post-production
SHALLOW RIVER STUDIO

Songs recorded & mixed at
SHALLOW RIVER STUDIO, IMPHAL

Songs recorded & mixed by
SUNIL LOITONGBAM

Equipment rental
SHALLOW RIVER STUDIO
OURVILLAGE STUDIO
ROMI LAMABAM

Our special thanks to
RACHEL SHIMRAY
(UKHRUL)

DIVYA BHATIA
festival director
Rajasthan international folk festival

MAHESH DEORI
regional director
Indian Chamber of Commerce

DEVDUTTA THOUDAM

RANJAN PALLIT & VASUDHA
(KOLKATTA)

WUNGNAM MASHANGVA
WUNGNANG SUI
(LONGPI VILLAGE)

L.W.MAYAR
(LUNGHAR VILLAGE)

MASHUN
PROFESSIONAL STUDIO
UKHRUL

Produced with the support of
TRIBAL RESEARCH INSTITUTE


THE NEXT SONG

About the project: The idea for the project started way back in college in Shillong when I was a student and heard Rewben Mashangva’s first album TANTIVY from a classmate; an Angami Naga girl.  The music of the album lacked maturity and form but the lyrics and the unique tune rooted to Tangkhul Naga folk music touched me completely.  It was something I had never heard before. Years had passed. Rewben has grown in stature; both in music and status and I have become a filmmaker.

THE NEXT SONG is the 2^nd part of the 3 project series with Rewben Mashangva. The 1st part SONGS OF MASHANGVA  made in 2010 won the National Award, the highest filmmaking award in India given by the President. The 3^rd part would be a feature film THE LONELY VILLAGE ; a hilarious film about how a Naga village disappeared from the planet.

Synopsis:

The return journey  of two tangkhul tribes, two pioneering musicians  in Northeastern India whose more than 1000 years old folk music tradition is under threat of disappearing  due to Christianity and pop culture of the west.

Mahangthei grew up learning the western hymns and leading the life of a singing ministry travelling from one village to another. But then, he decided to bring in the rich traditions of their forefathers into the church by rearranging the western hymns with the folk tunes reminding the converted tangkhul tribes of their past.

Rewben Mashangva also grew up singing gospels in the church and listening to American rock bands. But he fits english lyrics with his tribe’s folk tunes heralding a new genre which he called Hao music.

THE NEXT SONG

PRODUCTION NOTE:

I heard about Mahangthei’s story during the making of the prequel Songs of Mashangva.  He was squeezed into 2 scenes in the film due to the limitations imposed by the narrative and the theme.  His story was kind of unheard of and very contradictory to what was happening in the tangkhul community or any other small communities affected by the coming of Christianity. Indigenous cultures were running away from their identity or being lured away by the promise of a new Christian life. But Mahangthei was bringing his own folk music inside the church inspite of growing up in a Christian family and preaching about the gospel as a singing ministry. Some of the church people misunderstood him due to the irony. What also made his story more multi-faceted is that his father was among the first tangkhuls who got converted into Christianity and they were banished from the village by the village authorities for defying the traditional customs.
If Mahangthei was bringing the ignored tangkhul folk songs into the church in the form of hymns, Rewben Mashangva was spreading the disappearing tangkhul folk songs into foreign soil and luring the younger generation of the tangkhuls by fusing with guitar. 20 years back when he started off, the church misunderstood him and his own people could’nt really appreciate the significance of his small steps.  Today a few youngsters have come up due to his influence trying to promote their own music inspite of the strong gospel/rock music presence in the tangkhul society.

Mahangthei and Mashangva are heroes of the indigenous people; their stories worth of salt that needs to be shared with other communities.

58th National award winner- Songs of Mashangva

SONGS OF MASHANGVA produced & directed by Oinam Doren gets Rajat Kamal at the 58th National Awards; the highest filmmaking award in the country given by the Government of India.


JURY CITATION: An insightful foray into the complex and layered life of a ‘song’ and all that it carries within it for a community. It inquires into the shared critical history of a community in the specific context of an overarching missionary presence and how it has affected their lives. The jury appreciates it for the courageous, yet poetic exploration of the subject from the ethnographic perspective

Songs of Mashangva - Press Kit

"the past has just begun"

SONGS OF MASHANGVA


A production by OURVILLAGE FILMS


Produced with the support of NEZCC, MINISTRY OF CULTURE, GOVT. OF INDIA

A film by OINAM DOREN

Produced & Directed by OINAM DOREN

Duration: 72 min. 27sec (director’s cut)

Format : dvcam

Color /BW

songs they are words
words they are songs
a history simply told in songs

an
OURVILLAGE FILMS
P r o d u c t i o n

SONGS OF MASHANGVA

Produced & directed by
OINAM DOREN

Music & vocals
REWBEN MASHANGVA

our consultant
NGACHONMI CHAMROY

Unit production manager
THOTNGAM SHIMRAH (ATHOD)

Editor
ROMI LAMABAM

Director of photography
OINAM DOREN

Sound recordist
SUNIL LOITONGBAM

Sound design
SHANKAR SAPAM

Translation consultant
RANJEETA SADOKPAM

Manipuri translation
SHREEMA NINGOMBAM

Rajasthani folk song translation
SHRUTI MUKHERJEE

Tangkhul translation
REWBEN MASHANGVA
NGACHONMI CHAMROY

Transportation
JACOB WUNGNAOWUNG
CHAN
AJAY SINGH

Our travel agent
SHINE TRAVELS

Assistants

camera
RAWON NGAINGA
NABAM TADI
JOYCHANDRA
PRABIN

Production
JOYKUMAR KH
AYESHA LANGSTIEH

Assistant editor
RAJU DAS

Postproduction assistant
BOYNAO
TINKU DAS

Haircut/costume
JEROME LAIYAM

Weaver
CHONCHON

Folk singer in the field
KASOM MAHANGTHEI

Folk singers at Longpi village
M. NGAZEK
T.MAICHIN
S.VAREINGAM
SR. KHANGANG

Two women in Longpi village
THARMILA
HUIMILA SASA

Folk singers at Hundung village
RAMNGANING MK
MISHIVANA ML
LUIYOLA MK
HALINA MS
TABITHA KYS
EASTHER YS
PAKAHAO KYS
TUITINGLA ML
NINGMILA MK

Folk singers at Tongou village
NK LAYIK
AS AREITHEI

Phadharo hamara des (Rajasthani folk song)
NENU RAM & GUDI
MEHRANGARH FORT

Saka Mashangva’s friends
NGARIN
KHAYING JOJO
THOTDHAR
YUNGREISHON KAPING
RINWUNG RUIVAH

Shot on location
IMPHAL
KOHIMA
SHILLONG
KOLKATTA
JODHPUR
UKHRUL
CHOITHAR VILLAGE
LONGPI VILLAGE
LUNGHAR VILLAGE
HUNPUNG VILLAGE
HUNDUNG VILLAGE
TONGOU VILLAGE

Post-production
SHALLOW RIVER STUDIO

Songs recorded & mixed at
SHALLOW RIVER STUDIO, IMPHAL

Songs recorded & mixed by
SHANKAR SAPAM

All songs performed by
REWBEN MASHANGVA

Additional vocals
SAKA MASHANGVA
DHANASHREE (SAMMY)

Additional music

Violin
BINOD

Langdey (percussion)
MICHAEL

Equipment rental
SHALLOW RIVER STUDIO
OURVILLAGE STUDIO
MAMI SAMKA

Our special thanks to
staff at NEZCC, ministry of culture, government of india.

RACHEL SHIMRAY
(UKHRUL)

DIVYA BHATIA
festival director
Rajasthan international folk festival

MAHESH DEORI
regional director
Indian Chamber of Commerce

FOLK SINGERS
MEHRANGARH FORT, JODHPUR

ASKA & FAMILY
(KOHIMA)

RANJAN PALLIT & VASUDHA
(KOLKATTA)

WUNGNAM MASHANGVA
WUNGNANG SUI
(LONGPI VILLAGE)

L.W.MAYAR
(LUNGHAR VILLAGE)

NG.MERCY
PHANINGSHANG
(TONGOU VILLAGE)

Produced with the support of
NEZCC, MINISTRY OF CULTURE, GOVT. OF INDIA


SONGS OF MASHANGVA

Project status: complete.

About the project: The film was shot for more than a year in Shillong, Kolkatta, Rajasthan, New Delhi, Imphal, Nagaland and a number of villages in Ukhrul and Chandel district of Manipur.

 Synopsis: The Tangkhul Naga tribes reside in the hilly Ukhrul district of Manipur in the northeastern part of India bordering Myanmar. Ukhrul is made up of 230 villages with 165 different languages. The Tangkhul Nagas were originally animistic in their worship and superstitious, often wage war with the neighboring villages and habituated to the locally made alcohol called ‘zu’ and rice beer. But they had a 1000years old very rich folk music tradition for everyday activities, rituals and seasons including war.

In 1896, Rev William Pettigrew (1869-1943), an European missionary came to Ukhrul and opened a school for the natives with the intention of preaching the gospel of Christ. Along with the education, the pre-condition of baptism was that the natives have to disregard their old lifestyle including drinking and singing folk songs which was to be replaced with hymns and choirs.

The new entrant of European education and Christian life slowly killed the original customs and traditions of the Tangkhul Nagas which had an adverse affect on its folk music traditions. Now 100% of the natives are Christians and in culmination with the technological invasion of the West, folk music is completely non-existent among the younger generation. The few masters are either death or completely old and this rich original heritage would consequently fade away with their demise.

Rewben Mashangva, who himself is a Christian but with very less education and belonging to a carpenter’s family becomes a cultural ambassador of the Tangkhul Nagas reminding everyone of their past with his brand of folk and Naga-folk blues, unique ‘haokuirat’ traditional hairstyle and costumes.

PRODUCTION NOTE:

Rewben Mashangva, the protagonist of the film has about 17-18 years of folk music experience. The director of the film has about 5 years of association with him that makes research and preproduction of the film very easy. Most of the masters of Tangkhul Naga folk songs are either dead or the few left reside in remote villages of the hilly Ukhrul district untouched by proper roads or means of communication. Moreover no books or recordings of folk songs are available in the market or in libraries we know of. So basically it was very raw first hand data and song recordings we have collected in the process of our production.

About the arrival of European missionary William Petigrew in Ukhrul district, we got second hand information from sons whose fathers were student of the reverend. We were also lucky to find a book in a Christian literature outlet ‘Forty years mission in Manipur – mission reports of Rev.William Pettigrew’ in which the reverend has written in detail about his experience with the natives, i.e. the Tangkhul nagas.

The first and last sequence of the film are purely constructed. For this we had to go to a remote village called LONGPI which is also famous for its ethnic ceramic pottery. The roads are very bad, no electricity was available and we had a hard time persuading the old man to shave their hair in the old traditional style called ‘haokuirat’. Of course we managed to bribe them with alcohol and money. One of the old artist named Ngazek who is 90 years old told us, after the hair cut his wife chased him away from the house saying it wasn’t modern.

The first and last sequence are what we called ‘the dreamy-nostalgic’ sequence in which the old traditional lifestyle of the natives-the Tangkhul Nagas are revealed. We have two old ladies pounding rice in the old method in front of the old traditional house called ‘haosym’. Only one house was left in the village and that too the rooftops were covered with old brownish aluminum tiles.

Then we have the old men in hunting costumes with spears going for hunting in the jungle while the two ladies work in the field.

In the evening as the old man return home, they sit by the fireplace and sings folk songs to each other by drinking rice beer from the clay pot with the help of a straw made of bamboo.

There is one scene in which a little boy pass by the silvery cloudy mountain riding a buffalo. For this we had to shave his hair in the old traditional ‘haokuirat’ hairstyle. His mom refused outrightly but after some hassles agreed to co-operate demanding a hefty sum of money. Early in the morning the next day, it was the buffalo who gave us a terrible time refusing to co-operate with the crew.

The ‘dreamy-nostalgic’ sequence also has dangerous honey bees walking up and down a path, buffalo heads hung in front of old houses, crafted wooden tribal motifs in the facade of the old traditional house ‘haosym’ depicting the order of the relationship between the Tangkhul-nagas and other living organisms, trees, mountains etc.

INTERVIEWS

1)Rewben mashangva who is the main protagonist of the film. It is through him the journey of the film is made and completed.
He will also tell us the present condition of tangkhul naga folk songs, his struggles to learn and promote them and new genres that has sprung up in the process.

3) Ngachonmi Chamroy
Former editor of a newspaper and now a social activist who writes all the English lyrics of Rewben and has indept knowledge of contemporary Tangkhul Naga society.

4) Keith Wallang
CEO of Springboard Surprises, an event manager and a cultural enthusiast who has been promoting Rewben since the last 2 years.

5) Rudy Wallang
Vocalist and one of the best blues guitar player in india with his own band Soulmate. He collaborated with Rewben on one project ‘creation’.

6) K. Mahangthei
A pastor/music composer whose father was a student of European missionary Rev. William Pettigrew who opened a school in Ukhrul district in 1896 and brought Christianity to the natives. Mahangthei grew up with gospels and hymns. But as he travel around the villages preaching the gospel, he was smitten by the folktunes and learned the folk songs from the natives. He is a storehouse of folk songs. We made him sing 3 folk songs in his field one of them which will be used in the film.

One interesting fact he told us was some of the old men who wants to live the old lifestyle, drink and sing folk songs were refusing to come to the church. So he adapted the folk tunes and fit in gospel lyrics. He says after that the old man started coming to the church.

7) Shimthar Keishing
A very amusing character who sang a lot of folk songs for us. But we didn’t used any due to space.
Shimthar shares with us how the Christian missionaries used to lure them by scaring them about hell and assurance of heaven through christianity.

8)Stephen Angang
An intellectual who has written books on customery laws of the Tangkhul Nagas. A very reserved character in the beginning who started opening up like the petals of a lily. He gave us the best time of the film with folk songs (erotic ones too), amusing allegory, historical abstracts and wisdom.

Some of the major performances would be;
RIFF2009 (Rajasthan international folk festival ) in Jodhpur
Hornbill 2009 – the biggest tourism fest of the Nagas
Luiyuila (an old lady in Hundung village)
4 old men sings by a fireplace sipping rice beer depicting the customs of the past.
Rev. K Mahangthei sings ‘luisi luisi’ (miss you miss you) soulfull folk song in his green field
Stephen Agang sings 2 songs; a lullaby and an erotic folk
2 rajasthani folk songs in Mehrangarh Fort
Rewben plays yangkahui fute and folk fiddle tingteilla in front of ‘haosym’-the old traditional house of the tangkhul nagas. It is juxtaposed with every exotic, stylish visuals.
And 3 very haunting ‘Khamahon’ (traditional chants) juxtaposed with dreamy visuals.
And of course ‘our little’ Saka Mashangva is always around singing or rehearsing with his dad.


SONGS OF MASHANGVA



.

Songs of Mashangva in Kolkatta

I had gone to Kolkatta for the Northeast Business Summit in Hyatt Regency on 8th & 9th Jan 2010 where my protagonist Guru Rewben Mashangva had gone to receive the Northeast Excellence Award for music.
I had also for company Mary Kom, 4 times world boxing champion.
In Kolkatta, i also shot with national award winning filmmaker and cinematographer RanjAN Pallit who had shot more than 100 documentaries.
It was nice to see Saka Mashangva, the 8 year old son of Rewben having a blast and everyone specially the girls asking for photographs with him.

'Songs of Mashangva' poster

Press conference

Jodhpur Riff 2009